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2019 Beaujolais Rosé
Domaine Dupeuble
In the back right corner of our shop in Berkeley lies the El Dorado of quality Beaujolais. The case stacks here are a shrine to the Gamay grape, and I gravitate towards this section every time I stop by the store. I drink wines from Beaujolais more than any other region—they check all the boxes for me: aromatic, chillable, loaded with fresh fruit and minerality, just the right amount of appetizing acidity. They’re easy-drinking, and that’s a term I don’t think gets enough credit. Shouldn’t all wines strive to be as effortlessly consumed as good Beaujolais?
Ghislaine Dupeuble’s rosé is everything I love about quality Beaujolais—in a rosé. White flowers, rhubarb, and ripe wild berries pull you in. On the palate, it’s smooth and rounded yet mineral, with a hint of citrus on the finish. It has a subtle herbaceousness and vibrant acidity, making it a gastronomic stunner that’s well-suited to the holiday table.
Domaine Dupeuble is a benchmark in Beaujolais, crafting some of the region’s freshest expressions of Gamay for over 500 years. For the quality of wine that’s in your glass, “bang for your buck” doesn’t do the Dupeubles’ wines justice. Their rosé is no exception and is undoubtedly one of our best value rosés.
—Madison Halvorson
| Wine Type: | Rosé |
| Vintage: | 2019 |
| Bottle Size: | 750mL |
| Blend: | Gamay |
| Appellation: | Beaujolais |
| Country: | France |
| Region: | Beaujolais |
| Producer: | Domaine Dupeuble |
| Winemaker: | The Dupeuble Family |
| Vineyard: | Vines ranging from 3 to 70-years-old; 3 ha |
| Soil: | Granite |
| Aging: | Vinified and aged in stainless steel tank |
| Farming: | Lutte Raisonnée |
| Alcohol: | 13% |
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About The Producer
Domaine Dupeuble
About The Region
Beaujolais
After years of the region’s reputation being co-opted by mass-produced Beaujolais Nouveau and the prevalence of industrial farming, the fortunes of vignerons from the Beaujolais have been on the rise in the past couple of decades. Much of this change is due to Jules Chauvet, a prominent Beaujolais producer who Kermit worked with in the 1980s and arguably the father of the natural wine movement, who advocated not using herbicides or pesticides in vineyards, not chaptalizing, fermenting with ambient yeasts, and vinifying without SO2. Chief among Chauvet’s followers was Marcel Lapierre and his three friends, Jean Foillard, Guy Breton, and Jean-Paul Thévenet—a group of Morgon producers who Kermit dubbed “the Gang of Four.” The espousal of Chauvet’s methods led to a dramatic change in quality of wines from Beaujolais and with that an increased interest and appreciation for the AOC crus, Villages, and regular Beaujolais bottlings.
The crus of Beaujolais are interpreted through the Gamay grape and each illuminate the variety of great terroirs available in the region. Distinguishing itself from the clay and limestone of Burgundy, Beaujolais soils are predominantly decomposed granite, with pockets of blue volcanic rock. The primary vinification method is carbonic maceration, where grapes are not crushed, but instead whole clusters are placed in a tank, thus allowing fermentation to take place inside each grape berry.
Much like the easy-going and friendly nature of many Beaujolais vignerons, the wines too have a lively and easy-drinking spirit. They are versatile at table but make particularly good matches with the local pork sausages and charcuterie. Though often considered a wine that must be drunk young, many of the top crus offer great aging potential.
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Kermit once said...
Kermit once said...
I want you to realize once and for all: Even the winemaker does not know what aging is going to do to a new vintage; Robert Parker does not know; I do not know. We all make educated (hopefully) guesses about what the future will bring, but guesses they are. And one of the pleasures of a wine cellar is the opportunity it provides for you to witness the evolution of your various selections. Living wines have ups and downs just as people do, periods of glory and dog days, too. If wine did not remind me of real life, I would not care about it so much.
Inspiring Thirst, page 171