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That Syrah is tough to sell is an old wine business cliché, and as with most clichés, there’s some truth in it. For whatever reason, this beguiling, dark-skinned grape hasn’t captivated wine drinkers the way other varieties have. I think it’s because the best Syrahs somehow seem inscrutable. Instead of leaping out of the glass, they pull you in. They have interesting and unusual aromas, and are slightly off-kilter in an intriguing way, like the waltz in 5/4 time in Tchaikovsky’s Pathétique. If you happen to be a Syrah devotee, like me, you probably appreciate these qualities in your wine—and perhaps in your music as well.
Although everyone’s experience is different, I’d be willing to wager that for most Syrah lovers, the seminal Syrah experience was with a bottle from the northern Rhône. It’s an improbable combination of grape and place, with vineyards so steep and punishing to work that even the scions of famous domaines think twice about taking over from their hardworking parents. Louis Barruol traverses the slopes of Côte Rôtie—the northernmost appellation in the northern Rhône—for the most expressive parcels of Syrah. He vinifies each separately, and then Kermit tastes through every lot and assembles the final blends.
This is one for the cellar. Weighty up front, but with an unexpected delicacy on the finish. Ripe, but balanced with savory elements. This is what all the fuss is about.
|Producer:||Barruol Lynch - Northern Rhône|
|Vineyard:||30 - 50 years|
I want you to realize once and for all: Even the winemaker does not know what aging is going to do to a new vintage; Robert Parker does not know; I do not know. We all make educated (hopefully) guesses about what the future will bring, but guesses they are. And one of the pleasures of a wine cellar is the opportunity it provides for you to witness the evolution of your various selections. Living wines have ups and downs just as people do, periods of glory and dog days, too. If wine did not remind me of real life, I would not care about it so much.
Inspiring Thirst, page 171